Music composer – Russ Johnson Music http://russjohnsonmusic.com/ Sun, 28 Nov 2021 03:15:20 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://russjohnsonmusic.com/wp-content/uploads/2021/10/icon-7.png Music composer – Russ Johnson Music http://russjohnsonmusic.com/ 32 32 Here’s why the legendary music composer loves jewelry https://russjohnsonmusic.com/heres-why-the-legendary-music-composer-loves-jewelry/ Sat, 27 Nov 2021 07:11:49 +0000 https://russjohnsonmusic.com/heres-why-the-legendary-music-composer-loves-jewelry/ Legendary music composer Bappi Lahiri is known for his groovy and energetic dance numbers. But other than that, he is also known for his love of gold. Born November 27, 1952 in Jalpaiguri, West Bengal, Bappi’s real name is Alokesh Lahiri. Bappi was the pioneer of disco and rock music in the Bollywood industry. The […]]]>

Legendary music composer Bappi Lahiri is known for his groovy and energetic dance numbers. But other than that, he is also known for his love of gold. Born November 27, 1952 in Jalpaiguri, West Bengal, Bappi’s real name is Alokesh Lahiri. Bappi was the pioneer of disco and rock music in the Bollywood industry.

The famous musician loves gold jewelry. Today, on the occasion of Bappi’s 69th birthday, we are going to tell you some unknown and interesting facts about his life.

When the children are in the stage of learning basic human skills, Bappi Da has started to clean his hands on the instruments. It is said that Bappi started playing the Indian instrument Tabla at the age of 3. At the age of 17, he had decided to enter the music industry. Bappi was heavily inspired by Bollywood music icon SD Burman.

Bappi entered the music industry in 1972 when he composed the score for the Bengali film Dadu. Then, in 1973, Bappi gave his first Hindi song in the movie Ninha Shikari. He rose to fame with Tahir Hussain’s film Zakhmi and later got his name.

The songs in the film were hit, Bappi transformed the musical taste of people by entering the Hindi film industry. Bappi has performed notable songs like Disco Dancer, Dance-Dance, Sharabi, Namak Halal in the Bollywood industry. Besides being a famous singer, music director, record producer, he also worked as an actor in a few films.

The reason for his affection for gold jewelry is that it is influenced by Hollywood singer Elvis Presley, who was also very fond of jewelry.

Earlier in an interview, Bappi Da shared, “Elvis Presley wore a gold chain and I loved him very much. At that time, I thought that when I became a successful person, I would create a different image of myself- Even. And when I was successful, I was able to afford all that gold. Gold is a chance for me.

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Sahedul Hoque is a Bangladeshi freelance writer, music composer, musical artist and musician. https://russjohnsonmusic.com/sahedul-hoque-is-a-bangladeshi-freelance-writer-music-composer-musical-artist-and-musician/ Sat, 20 Nov 2021 11:42:01 +0000 https://russjohnsonmusic.com/sahedul-hoque-is-a-bangladeshi-freelance-writer-music-composer-musical-artist-and-musician/ Sahedul Hoque is a freelance Bangladeshi writer, music composer, musical artist and musician. He Personality providing books, music videos, digital marketing, YouTube tutorials, blogs and more on their YouTube channel or website. Born: 05 March 1994 (age 27), Comilla, Bangladesh. He graduated from the University of Comilla Victoria.His research interests: technology, music, digital marketing, writing, […]]]>

Sahedul Hoque is a freelance Bangladeshi writer, music composer, musical artist and musician. He Personality providing books, music videos, digital marketing, YouTube tutorials, blogs and more on their YouTube channel or website. Born: 05 March 1994 (age 27), Comilla, Bangladesh. He graduated from the University of Comilla Victoria.
His research interests: technology, music, digital marketing, writing, musical composition.

Sahedul Hoque recently wrote three books, such as- (1). Soft instrumental; is written by a freelance music artist and writer by Sahedul Hoque, based on the recently released Music of Sahedul Hoque named Instrumental Soft. (2). Definitions of Instrumental Music: Collections of Definitions of Instrumental Music by Sahedul Hoque (Instrumental Soft). (3). Origins of young living independent musicians This book is written by Sahedul Hoque, in the name of this… (History of young living musicians 1).

At the beginning of 2020, he launches out with passion in learning musical composition and instrumental musical creation. Sahedul Hoque now works independently and tries to make music professionally. Her first song was released worldwide in March 2020 on numerous music streaming platforms including Spotify, Amazon Music, Deezer, iTunes, YouTube Music, JioSaavn, Pandora, Napster, and more.
Sahedul Hoque has already been verified on some of the major music streaming platforms among those mentioned. Recently he checked on Google and YouTube as a Music Artist. He continually tries to release more and be regular in his work! Now he wants to be a part of Bangladesh’s upcoming music industry and claim a notable place in the ranking. Recently Sahed has written many books, many Sahedul Hoque books on google Books and amazon Kdp. It is doing better every day for the younger generation.


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Songwriting duo Kaushik-Guddu talk about their latest ‘Mere Yaara’ from Sooryavanshi | Odisha News | Latest Odisha News https://russjohnsonmusic.com/songwriting-duo-kaushik-guddu-talk-about-their-latest-mere-yaara-from-sooryavanshi-odisha-news-latest-odisha-news/ Fri, 19 Nov 2021 06:14:47 +0000 https://russjohnsonmusic.com/songwriting-duo-kaushik-guddu-talk-about-their-latest-mere-yaara-from-sooryavanshi-odisha-news-latest-odisha-news/ By Roy The 2021 hit film “Sooryavanshi” won hearts. In the melodious vocals of Arijit Singh and Neeti Mohan, the film’s song “Mere Yaara” has actors Akshay Kumar and Katrina Kaif recounting it. In a conversation with us, songwriting duo Kaushik-Guddu said, “When we received Azeem Dayani’s briefing on ‘Mere Yaara’, it brought about the […]]]>

By Roy

The 2021 hit film “Sooryavanshi” won hearts. In the melodious vocals of Arijit Singh and Neeti Mohan, the film’s song “Mere Yaara” has actors Akshay Kumar and Katrina Kaif recounting it. In a conversation with us, songwriting duo Kaushik-Guddu said, “When we received Azeem Dayani’s briefing on ‘Mere Yaara’, it brought about the belief that the song should be bigger. than nature. It required an excellent composition and melody that would put the song on everyone’s lips. The requirement called for a romantic song centered on the heroes. When we started making the song, we thought about how to make it a little different from most songs today. Then we brought sarangi (folk instrument). We went through trial and error a few times during the creation of the song. With gradual development, we took about 8-9 months to make this song. Even though it was a slow development, it was strong.

“When we heard that Akshay Kumar and Katrina Kaif were going to star in the song, we thought they were the appropriate faces for ‘Mere Yaara’,” they add.

Kaushik-Guddu, who share the cousins ​​bond, have proven their prowess in hit songs like ‘Sajan Bade Senti’ (‘Badhai Ho’), ‘Loveyatri Title Track’ (‘Loveyatri’), ‘Main Hoon Saath Tere’ (‘Shaadi Mein Zaroor Aana’), ‘Tera hoke Rahoon’ (‘Behen hogi teri’).

Music supervisor Azeem Dayani also said of “Mere Yaara”, “The song is one of a kind among the romantic song charts.”

Link to Azeem Dayani’s article – https://orissadiary.com/music-supervisor-azeem-dayani-takes-us-to-his-journey/

Kaushik-Guddu as a contemporary composer, tries music with something new every time by experimenting with different dimensions. The technology helps spruce up the track, but it doesn’t make singing any easier than it was years ago, they say. Current music platforms promote independent music, but all revolve around public acceptance.

The duo express: “It was a great experience working with Arijit Singh. As we know, Arijit does his best in the song he sings. Likewise, he did justice to Mere Yaara ‘with her soulful voice. We look forward to working on many more projects with Arijit in the future.


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Classical music composer Brian Field composed an American satire conducted by a symphony orchestra “Let’s build a wall!” “ https://russjohnsonmusic.com/classical-music-composer-brian-field-composed-an-american-satire-conducted-by-a-symphony-orchestra-lets-build-a-wall/ Tue, 09 Nov 2021 13:35:18 +0000 https://russjohnsonmusic.com/classical-music-composer-brian-field-composed-an-american-satire-conducted-by-a-symphony-orchestra-lets-build-a-wall/ Organic vibrations of soul and jazz can be felt in American satirical song “Let’s build a wall! ” composed and arranged by an American classical singer Brian Field. Singer and songwriter Brian Champ composed an American satire “Let’s build a wall! ” respective political landscape in the United States. Here, the artist mocked the American […]]]>

Organic vibrations of soul and jazz can be felt in American satirical song “Let’s build a wall! ” composed and arranged by an American classical singer Brian Field.

Singer and songwriter Brian Champ composed an American satire “Let’s build a wall! ” respective political landscape in the United States. Here, the artist mocked the American political landscape where they believe building the wall could improve the country’s economic situation. The most important thing about this piece is the beautiful progression of the symphony orchestra and the vocal texture of this music. Most importantly, this piece won first place as well as the Audience Award in the Royal Sound Music competition. In addition, as the artist is influenced by post-romanticism and jazz, the composition of this artist has a touch of melodic jazz style within this music. The high pitched and deep voice with the unpredictable musical arrangements took this music to another level. The artist has also won the Beneti Foundation Recording Prize and the Alvarez Chamber Orchestra Mullord Prize. It would be a pleasant feeling to listen to a song which can influence the compatriots with a satirical effect. This piece has been awarded in many places and it will win a million hearts as the song is about humanity and its improvements.

By devoting himself to composition, he was able to compose music such as “Let’s build a wall! ” for lovers of classical songs. The musical adventure was launched by Brian Champ at the age of eight with learning the piano. In addition, he began to compose music in his own right at the age of sixteen and graduated from Connecticut College in the field of music and literature. This artist’s musical journey was boosted when he did his master’s degree in music at the Juilliard School in New York. In addition, the artist obtained his doctorate in music from the University of Colombia. Therefore, with a vast knowledge of music and rhythms, he made ecstatic musical progression in this song. In addition, the different types of symphony and other orchestration progressions after a break are upbeat and ecstatic. Some other songs by this artist are ‘A Christmas Carol’, ‘Fire’ and ‘Tres Canciones De Amor’ and these can be found on Spotify and Sound cloud platforms. In addition, his works are included for television and stage, chamber, electroacoustic and orchestral works and he has won numerous international awards. To learn more about this fantastic classical artist, you can visit his website, Facebook as good as Wikipedia pages.

Check out the song on Spotify:

https://open.spotify.com/track/6A9YyxKmvkPPvVeph6gEBY


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Gone Kesh Music singer and songwriter Bishakh Jyoti talks about receiving the national award and his journey https://russjohnsonmusic.com/gone-kesh-music-singer-and-songwriter-bishakh-jyoti-talks-about-receiving-the-national-award-and-his-journey/ Tue, 09 Nov 2021 12:02:00 +0000 https://russjohnsonmusic.com/gone-kesh-music-singer-and-songwriter-bishakh-jyoti-talks-about-receiving-the-national-award-and-his-journey/ MUMBAI: Singer and music composer Bishakh Jyoti who recently received the National Film Award Kranti Darshi Guruji Ahead Of Times as Best Music Director, started his journey with the reality show SA RE GA MA PA from Zee TV, composed music for many albums and films like Gone Kesh, and worked closely with music mainstays […]]]>

MUMBAI: Singer and music composer Bishakh Jyoti who recently received the National Film Award Kranti Darshi Guruji Ahead Of Times as Best Music Director, started his journey with the reality show SA RE GA MA PA from Zee TV, composed music for many albums and films like Gone Kesh, and worked closely with music mainstays like Sajid Wajid and Shankar Mahadevan.

This versatile singer who is currently the Grand Grand Jury of SA RE GA MA PA 2021 and has done more than 500 live concerts in India as well as abroad, speaks candidly about his journey, receiving the National Award and the prospects of to come up.

Bishakh feels humbled and grateful to have received the honor of the national award and shares his joy in stating: “I was totally captivated after receiving this award. I feel really good to become the youngest musician to receive this award. prestigious awards. I usually don’t make music with any expectation of reward, but it is certainly a huge motivation if your hard work is recognized in such an incredible way. I want to thank from the bottom of my heart my director, Mr. Sudipto Sen, who gave me this opportunity to work intensively in this film which won me the prestigious National Award. Coming from a small town, I am really happy to have succeeded in motivating many young people in my town to choose a career in music. Finally, I want to thank the Almighty for being so kind to me like this journey of being a newcomer to the industry facing loads of rejections and humiliations and win today the prize n most prestigious ational, it means a lot to me. “

Speaking of his background, he says: “My musical journey began in 2010 with ZEE TV SRGMP. I had the chance to work with many pillars of the industry like Shankar Mahadevan, Sajid-Wajid and many others which helped me to learn. a lot of things and apart from that my gurus Acharya Sanjay Chakrabarty and Guru Ma Smt. Reshmi Chakrabarty have contributed a lot to my learning part and I am still learning from them.

He has given over 15 digital concerts during the pandemic tenure in 2020. On sharing the impact of the pandemic on a change in the music industry, he said: “I support digital concerts as well as concerts physical on stage. Digital concerts have helped all musicians and performers learn a lot, especially some critical technicalities about music. Covid has helped show great positivity towards learning music online and also helped musicians upgrade both technically and pedagogically because they have so much time in this particular situation. “

Currently he is on the grand jury of SA RE GA MA PA 2021 and feels lucky to be judging alongside Shankar Mahadevan and shares: “I am also lucky to sit as a judge of the JURY on the same reality show this year with my idol Mr. Shankar Mahadevan, who is ZEE TV SRGMP. He is my inspiration and my biggest motivation in this industry. I think he is a great musician. “

Finally, he said, “My wish is that my greatest inspiration, Mr. AR Rahman, can someday sing one of my compositions.”

He has worked extensively in Bollywood, Bengali, Odiya and many other industries and believes that every film and every film score is equally important and essential to him, regardless of the languages. He has many upcoming professional projects and 2 feature films LUCKNOW TIMES and ASMA are on the program.


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Yasuharu Takanashi, music composer NARUTO & BORUTO https://russjohnsonmusic.com/yasuharu-takanashi-music-composer-naruto-boruto/ https://russjohnsonmusic.com/yasuharu-takanashi-music-composer-naruto-boruto/#respond Fri, 05 Nov 2021 16:00:00 +0000 https://russjohnsonmusic.com/yasuharu-takanashi-music-composer-naruto-boruto/ Anime Trending had the incredible opportunity to interview music composer Yasuharu Takanashi and his involvement in NARUTO and BORUTO: NEXT GENERATIONS. The complete collection of soundtracks for NARUTO, NARUTO SHIPPUDEN, and BORUTO: NEXT GENERATIONS are now available from Milan Records. Yasuharu Takanashi When you have been approached to dial for NARUTO, have you ever expected […]]]>

Anime Trending had the incredible opportunity to interview music composer Yasuharu Takanashi and his involvement in NARUTO and BORUTO: NEXT GENERATIONS. The complete collection of soundtracks for NARUTO, NARUTO SHIPPUDEN, and BORUTO: NEXT GENERATIONS are now available from Milan Records.

Yasuharu Takanashi

When you have been approached to dial for NARUTO, have you ever expected the show to get as big as it made it? How did you feel when you realized that people all over the world were listening and loving your music?

At first, I didn’t really think so. Little by little, I realized that people appreciated the series as well as my music through the media. For example, when I found people covering my songs on YouTube and the like, I was really touched. “What? People from overseas are playing my songs! I was really happy.

From your many years of composing for the NARUTO series, which piece is your favorite and why?

It’s very difficult for me to choose the best (laughs).

As for sentimental songs, “Sadness and Sorrow” was the first ballad I wrote for. NARUTO when it first came out, so it left a very strong impression on me.

(As for the uplifting songs), there are so many that it’s hard to decide (laughs).

What were your favorite instruments to work with to compose for NARUTO?

The one I use most often is the organ (Hammond organ). There are a lot of ensembles in music, like orchestral ensembles with Japanese musical instruments, but the organ is the strongest foundation, so I use it most often when I’m looking for that group sound.

The best part about using Japanese instruments is that I tried to incorporate Japanese instruments into the rock sound of “Musashi”. Musicians and bands overseas were proud to use their own traditional music and instruments, so we wanted to create a new sound using traditional Japanese instruments and music because we are Japanese. We wanted to create a new sound using traditional Japanese instruments and music because we are Japanese. And from there it kind of evolved and flourished to the sound of “Yaiba” in NARUTO.

As a member of the Musashi Project, you worked with composer Toshiro Masuda on the production of NARUTO. What was it like working with Toshiro Masuda during the first season of NARUTO? What have you learned from working together?

Mr. Masuda and “Musashi” were clearly divided into different sections, and Mr. Masuda was very good at writing songs about everyday life. “Musashi” was in charge of the battle songs and other intense songs, and Masuda-san was in charge of the other Songs.

Which room are you most proud of and why do you feel that way?

That’s a tough question (laughs) because I can’t really narrow it down. The one I like the most is the music of NARUTO! I put a lot of love into every song, so I love them all. If anyone who listens thinks, “I love this song! I don’t think there is a number one or a number two for me. The song my fans love the most is the song I’m most proud of.

NARUTO is famous for its character-driven music – Senya, which many considered Itachi’s theme, is one example. How do you approach musical composition centered on specific characters?

The first thing that happens is that the director and the sound director order me to write a theme song for this character. Then I read the original story and tried to make a song that matches the character’s image.

© 2002 MASASHI KISHIMOTO / 2017 BORUTO All rights reserved.

Boruto: The Next Generations Of Naruto has already received praise for its soundtrack. How is the music different in Boruto compared to NARUTO? How did you want to distinguish the music between the two series?

To be honest, I have been using fewer Japanese instruments since Boruto. In NARUTO, there was an overall muddy or rustic feeling, but in Boruto, we decided to make it more modern and elegant. However, as the story progressed and Naruto and Sasuke became active again, we decided to go back to the nuances of the first sound… has the sound of those days.

In the end, how did you expect the audience to feel when they listened to your music?

I think the way to enjoy music is different for each person, so whether someone listens to and enjoys the music I made is all that matters to me, and how you feel is up to you. Its good! This is what makes me the happiest.

Which track from the soundtrack was your first song written for the series and how did you feel when you finished your first song?

In fact, it was “Sadness and Sorrow”. It was actually the first song I wrote for the NARUTO series, and at that point, the Musashi Project members split up to work on it. I thought it was a good song (laughs).

For the anecdote, around the second half of the story of NARUTO SHIPPUDEN, I really wanted to perform this song again. So I asked the directors if we could re-record “Sadness and Sorrow” once again! And it happened.

How the NARUTO series affected your career?

It changed my life more than my career! Thanks to NARUTO, I made connections with people from many countries. The word “link” is used a lot in this work, and it connected me to everyone, and the music made that connection stronger.

A final comment for the fans as they have the chance to listen to your music?

In fact, I was waiting for the release of this music!

I have received a lot of messages on my social networks from people in different countries asking me “When will the soundtrack be available?” so I really want to deliver it to them ASAP.

When I heard that the music distribution was going to start, I was so happy that I wanted to tell everyone about it ASAP, and as a musician it makes me happiest when people can still enjoy more music.

Now have fun to the fullest! And I’ll see you in person next time ♪.


康 治 / Yasuharu TAKANASHI

https://team-max.co.jp/artist/yasuharu-takanashi/


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Doctor by profession, music composer and director by passion – Punekar News https://russjohnsonmusic.com/doctor-by-profession-music-composer-and-director-by-passion-punekar-news/ https://russjohnsonmusic.com/doctor-by-profession-music-composer-and-director-by-passion-punekar-news/#respond Wed, 27 Oct 2021 04:01:21 +0000 https://russjohnsonmusic.com/doctor-by-profession-music-composer-and-director-by-passion-punekar-news/ Mumbai, October 27, 2021: Getting out of the rut and living your passion is not at all easy. But Dr Ankur Sharma is one of the few who has managed to balance his passion and profession with the same zest. The song from Dr. Ankur’s first music album, “Hum Tere Hi Ho Jayenge”, is written, […]]]>

Mumbai, October 27, 2021: Getting out of the rut and living your passion is not at all easy. But Dr Ankur Sharma is one of the few who has managed to balance his passion and profession with the same zest.

The song from Dr. Ankur’s first music album, “Hum Tere Hi Ho Jayenge”, is written, composed and conducted by him. The musical album is sung by acclaimed playback singer Javed Ali and will be uploaded on October 25 on various social media platforms.

A doctor by profession and a passionate composer and music producer, this native of Rajasthan strives to make his mark in the film industry with his ensemble of songs. He is also in the process of releasing his top 10 songs. These include his songs like Tanha, Jiya Dhadke, and many more. Dr Ankur’s next endeavor is his film – Lockdown Ki Love Story which will also be released soon. The new musical melody is one of 1,000 songs he has written to date.

Speaking of his background, Dr Ankur said: “This is really my debut in Bollywood where I also wrote the lyrics, composed, directed and performed. After my MBBS I started working and am currently practicing at JLN Medical College and Hospital in Ajmer. I did not receive any formal education in music but my passion has helped me to walk this path of music. I have observed and studied closely the compositions of the great composers of music. Even while practicing medicine, I continued to write songs, compose them, and play them with my friends during college functions.

“My musical adventure would not have been complete without the active participation and support of my family who supported me in all circumstances. They helped me in the production, some played the role of executive producer, ”he said.

He said: “Hum Tere Hi Ho Jayenge is a complete three part love streak – part one is a romantic track which will be released on October 25th while the other two sequels (the rock version and the sad version) will be released more late . “

“I want to create a new trend in Bollywood – to create a series of songs where the whole story is told with music,” he said with a twinkle in his eyes.

Dr Ankur informed that the singer of the song – Javed Ali, one of the renowned Indian playback singers, gave everything for this romantic song. Having sung in various regional languages ​​like Bengali, Kannada, Malayalam, Marathi, etc., his performance will certainly touch the soul of music lovers from all walks of life.

“The pandemic situation has been bad for every individual in the world. It was no different for me either. But it was the music and the journey to make it that became the driving force, ”said Dr Ankur.

He further added: “I urge everyone not to give up hope because there is light at the end of the tunnel.”

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Meet AI, the music composer who helped complete Beethoven’s incomplete 10th Symphony https://russjohnsonmusic.com/meet-ai-the-music-composer-who-helped-complete-beethovens-incomplete-10th-symphony/ https://russjohnsonmusic.com/meet-ai-the-music-composer-who-helped-complete-beethovens-incomplete-10th-symphony/#respond Sat, 23 Oct 2021 02:06:00 +0000 https://russjohnsonmusic.com/meet-ai-the-music-composer-who-helped-complete-beethovens-incomplete-10th-symphony/ When Ludwig van Beethoven died in 1827, he was three years from the completion of his Ninth Symphony, a work hailed by many as his magnum opus. He had started to work on his 10th Symphony but, due to the deterioration of his health, was not able to make much progress: he left only a […]]]>

When Ludwig van Beethoven died in 1827, he was three years from the completion of his Ninth Symphony, a work hailed by many as his magnum opus. He had started to work on his 10th Symphony but, due to the deterioration of his health, was not able to make much progress: he left only a few musical sketches.

Since then, Beethoven fans and musicologists have been perplexed and complained about what could have been. His notes made fun of a magnificent reward, even if it seemed forever out of reach.

Now, thanks to the work of a team of music historians, musicologists, composers and computer scientists, Beethoven’s vision will come to life.

I chaired the artificial intelligence portion of the project, leading a group of scientists from creative AI startup Playform AI who taught a machine both all of Beethoven’s work and his creative process.

A full recording of Beethoven’s 10th Symphony is scheduled for release on October 9, 2021, the same day as the scheduled world premiere in Bonn, Germany, the culmination of an effort spanning more than two years.

Past attempts hit a wall

Around 1817, the Royal Philharmonic Society of London commissioned Beethoven to write his ninth and tenth symphonies. Written for an orchestra, symphonies often contain four movements: the first is performed at a fast tempo, the second at a slower tempo, the third at a medium or fast tempo, and the last at a fast tempo.

Beethoven completed his Ninth Symphony in 1824, which ends with the timeless “Ode to Joy”.

But when it comes to the 10th Symphony, Beethoven didn’t leave much behind except a few musical notes and a handful of ideas that he wrote down.

There have been some past attempts to reconstruct parts of Beethoven’s 10th Symphony. Most famous, in 1988, musicologist Barry Cooper ventured to complete the first and second movements. He woven together 250 bars of music from the skits to create what was, in his eyes, a production of the first movement that was true to Beethoven’s vision.

However, the rarity of Beethoven’s sketches prevented symphonic experts from going beyond this first movement.

Assemble the team

In early 2019, Dr Matthias Röder, director of the Karajan Institute, an organization in Salzburg, Austria that promotes music technology, contacted me. He explained that he was forming a team to complete Beethoven’s 10th Symphony on the occasion of the composer’s 250th birthday. Aware of my work on AI-generated art, he wanted to know if AI would be able to help fill in the blanks left by Beethoven.

The challenge seemed sizeable. To achieve this, the AI ​​would have to do something it had never done before. But I said I was going to give it a shot.

Röder then put together a team that included Austrian composer Walter Werzowa. Famous for writing Intel’s signature bong jingle, Werzowa was tasked with implementing a new type of composition that would integrate what Beethoven left behind with what AI would generate. Mark Gotham, an expert in computer music, led the effort to transcribe Beethoven’s sketches and process all of his work so that AI could be properly trained.

The team also included Robert Levin, a musicologist at Harvard University who also happens to be an incredible pianist. Levin had already completed a number of incomplete 18th century works by Mozart and Johann Sebastian Bach.

The project takes shape

In June 2019, the group reunited for a two-day workshop at the Harvard Music Library. In a large room with a piano, chalkboard, and a stack of Beethoven’s sketchbooks covering most of his known works, we explained how fragments can be turned into a complete piece of music and how AI can help. to solve this puzzle, while remaining faithful. to Beethoven’s process and vision.

Music experts in the room were eager to learn more about the kind of music AI has created in the past. I explained to them how the AI ​​had managed to generate music in the style of Bach. However, it was only a harmonization of an input melody that sounded like Bach. It didn’t come close to what we needed to do: build an entire symphony from a handful of phrases.

Meanwhile, the scientists in the room, including me, wanted to know more about the type of materials available and how the experts plan to use them to complete the symphony.

The task at hand finally crystallized. We would need to use full notes and compositions from all of Beethoven’s work, as well as the available sketches of the 10th Symphony, to create something that Beethoven himself could have written.

It was a huge challenge. We didn’t have a machine to which we could send sketches, push a button, and spit out a symphony. Most AIs available at the time couldn’t continue an unfinished piece of music beyond a few extra seconds.

We would need to push the boundaries of what creative AI could do by machine-teaching Beethoven’s creative process; how he took a few bars of music and meticulously developed them into moving symphonies, quartets and sonatas.

Reconstructing Beethoven’s Creative Process

As the project progressed, the human side and the machine side of the collaboration evolved. Werzowa, Gotham, Levin and Röder deciphered and transcribed the sketches of the 10th Symphony, trying to understand Beethoven’s intentions. Using his completed symphonies as a model, they attempted to piece together the puzzle of where the sketch fragments should go – what movement, what part of the movement.

They had to make decisions, like determining whether a sketch indicated the starting point of a scherzo, which is a very lively part of the symphony, usually in the third movement. Or they could determine that a line of music was probably the basis of a fugue, which is a melody created by interweaving parts that all echo a central theme.

The AI ​​side of the project, my side, found itself struggling with a series of difficult tasks.

First, and more fundamentally, we had to figure out how to take a short phrase, or even just a pattern, and use it to develop a longer, more complicated musical structure, just like Beethoven would have done. For example, the machine must have learned how Beethoven constructed the Fifth Symphony from a basic four-note motif.

Then, because the continuation of a phrase must also follow some musical form, whether it is a scherzo, a trio or a fugue, the AI ​​had to learn Beethoven’s process to develop these shapes.

The to-do list grew longer: we had to teach the AI ​​to take a melodic line and harmonize it. The AI ​​had to learn to connect two sections of music. And we realized that the AI ​​had to be able to compose a coda, which is a segment that ends part of a piece of music.

Finally, once we had a full composition, the AI ​​was going to have to figure out how to orchestrate it, which involves assigning different instruments for different parts.

And he had to accomplish these tasks the way Beethoven could.

Take the first big test

In November 2019, the team met again in person, this time in Bonn, at the Beethoven House Museum, where the composer was born and raised.

This meeting was the litmus test to see if AI could complete this project. We printed musical scores that had been developed by AI and built from sketches of Beethoven’s 10th. A pianist performed in a small concert hall in the museum in front of a group of journalists, musicologists and Beethoven experts.

We challenged audiences to figure out where Beethoven’s sentences end and where the AI ​​extrapolation begins. They could not.

A few days later, one of those AI-generated scores was performed by a string quartet at a press conference. Only those who were intimately familiar with Beethoven’s sketches for the 10th Symphony could determine when the AI-generated parts arrived.

The success of these tests told us that we were on the right track. But it was only a few minutes of music. There was still a lot of work to be done.

Ready for the world

At every moment, the genius of Beethoven presented itself, challenging us to do better. As the project evolved, so did the AI. Over the next 18 months, we built and orchestrated two entire movements of over 20 minutes each.

We anticipate some setback from this work – those who will say that the arts should be off limits to AI, and that AI does not have to try to replicate the human creative process. Yet when it comes to the arts, I see AI not as a replacement, but as a tool, a tool that opens doors for artists to express themselves in new ways.

This project would not have been possible without the expertise of human historians and musicians. It took an immense amount of work and, yes, creative thinking to achieve this goal.

At one point, one of the team’s music experts said the AI ​​reminded him of a passionate music student who practices every day, learns, and gets better and better.

Now this student, having taken over from Beethoven, is ready to present the 10th Symphony to the world.

Ahmed Elgammal, professor, director of the Art & AI Lab, Rutgers University

This article is republished from The Conversation under a Creative Commons license. Read the original article.


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Famous Western classical music composer Bernard Hatink has died at 92 https://russjohnsonmusic.com/famous-western-classical-music-composer-bernard-hatink-has-died-at-92/ https://russjohnsonmusic.com/famous-western-classical-music-composer-bernard-hatink-has-died-at-92/#respond Sat, 23 Oct 2021 01:18:49 +0000 https://russjohnsonmusic.com/famous-western-classical-music-composer-bernard-hatink-has-died-at-92/ Dutch conductor Bernard Hattink was widely regarded as the best of his generation (Photo credit: Tolga Ekmen / AFP) Dutch conductor Bernard Hattink was widely regarded as the best of his generation (Photo credit: Tolga Ekmen / AFP) London: Briton Askonas Holt said in a statement on Thursday evening that the Dutch maestro, honored for […]]]>

Dutch conductor Bernard Hattink was widely regarded as the best of his generation (Photo credit: Tolga Ekmen / AFP)

Dutch conductor Bernard Hattink was widely regarded as the best of his generation (Photo credit: Tolga Ekmen / AFP)

London: Briton Askonas Holt said in a statement on Thursday evening that the Dutch maestro, honored for his reading of Beethoven, Mahler and Brueckner during a career spanning more than 60 years, died at his home in the presence of his family.

Hattink was known for his complacency despite his fame and a light touch as a conductor who did not oversee the musical contributions of the orchestra he was conducting. Born in Amsterdam, Heitink played the violin before learning to conduct in the city, making his debut with the Netherlands Radio Philharmonic in 1954. In 1956 he first took the podium with the Royal Concertgebou Orchestra before to become its main leader. In a relationship that will last for more than two decades.

Hightink became Principal Conductor of the London Philharmonic in 1967, a position he held for more than a decade. He also had a long relationship with Britain’s Royal Opera House, Covent Garden, where he was Music Director from 1987 to 2002.

As one of classical music’s most distinguished conductors, he has conducted some of the world’s greatest orchestras, including the Chicago Symphony Orchestra, Boston Symphony Orchestra, London Symphony Orchestra, and Berlin Philharmonic.

Askonas Holt said Hatink had made over 450 recordings and was “a passionate mentor to future generations of conductors, giving generously of their time to teaching and masterclasses.” Among the many awards he has received during an illustrious career, he was a French knight of the Order of Arts and Letters and was appointed Commander of the Order of the Lion of the Netherlands.

He married four times and had five children from his first marriage.


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Kunwar Brar – One of the most talented songwriters and singers in Punjab. https://russjohnsonmusic.com/kunwar-brar-one-of-the-most-talented-songwriters-and-singers-in-punjab/ https://russjohnsonmusic.com/kunwar-brar-one-of-the-most-talented-songwriters-and-singers-in-punjab/#respond Fri, 22 Oct 2021 09:40:12 +0000 https://russjohnsonmusic.com/kunwar-brar-one-of-the-most-talented-songwriters-and-singers-in-punjab/ The state of Punjab is teeming with talent and every now and then there are gems of artists that come out of this region. One of those talented young artists who fascinates audiences across the country is singer and music composer Kunwar Brar. A young boy in his twenties made a name for himself in […]]]>

The state of Punjab is teeming with talent and every now and then there are gems of artists that come out of this region. One of those talented young artists who fascinates audiences across the country is singer and music composer Kunwar Brar. A young boy in his twenties made a name for himself in the Punjabi music industry. He is well regarded among the brightest newcomers who have delivered fantastic music over the past few years which is loved by all,

To be a good music composer, it takes a lot of sense and understanding of the art of music. It is not only a question of instruments and software, but of having to choose the rhythms, to tune them and to link them with emotions. This art of composing music was mastered by young music composer Kunwar Brar who can be seen and heard through his music. His singles like Jyot, Khuwad, Soulful Talks are some of his greatest hits which have also earned him the recognition of the mainstream. From singles to composing music for films and record labels, he has been part of the musical success of the Punjabi music industry with more than 10 songs bearing his name. It’s safe to say he’s not just a newcomer with a hype, but he’s here to play a game long.

Kunwar Brar with his musical talent has just debuted and has already won over audiences and critics. Her story of success, from being a fan of international stars to working alongside them, has truly been an incredible journey that inspires people from all walks of life.

Sajid Shahid joins forces with Abhijeet Singh, founder of Bollyframe

Faisal Alam Dihan is a musical artist who has made a name for himself in the music industry.

Parth Patel: a beautiful singer at heart


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